English

A FEMININE JOURNEY FROM IDEALISM TO REALISM IN VIJAY TENDULKAR'S KANYADAAN

Vijay Tendulkar's the most controversial work, Kanyadaan is a naturalistic play based on the obnoxious man-woman relationship in a domestic cultural world. The play which stands as a glaring example of vindication of women explores the problems of casteism and the playwright shows that it is almost an incurable malady even in a progressive modern society. He illustrates dramatically that inter-caste marriage can never be a solution for a casteless society and obliquely hints at the suffering predicament of the women in a patriarchal society. The female protagonist of the play completes her odyssey of innocence to experience through the sacrosanct institution of marriage rendering a new meaning and significance in her life. The Hindu marriage system that makes a woman 'diasporic' leads to loss of her identity in the marital world. She remains in a flux in the so-called social 'production' where hardly she is given space to vent forth her feelings and have a voice of her own. My article focuses on the fact that his female 'other' undergoes a host of changes, experiences different emotions and sentiments, but she never gives in, creates her individual identity and thus gives birth to

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