English

Glitch art is dead

The Glitch art is dead project was initiated by Aleksandra Pieńkosz and Zoe Stawska as an attempt to fill the gap in our understanding of new visual phenomena and to breach the gap between the digital and the material. The album consists of works presented on the Glitch art is dead exhibition that took place in Teatr Barakah gallery in Kraków in fall 2015. 29 artists from 14 countries presented their 70 graphics and 12 videos. The works of arts were chosen after an open call for members of online Glitch Artist Collective . The number and the quality of collected material pushed the project forward. The next step was this book: glitch art book, theoretical introduction and exhibition catalogue all in one. We have invited both new media art researchers to write on the idea of death of glitch art. Anna Nacher wrote on post-humanist new materiality in the context of James Bridle’s New Aesthetic. Mariusz Pisarski analyses glitches in text and literature. For Matthew Austin glitch is a technological mirror that enables us to better know ourselves. Aleksandra Pieńkosz describes the exhibition and writes on glitches in public spaces. Puldzian tries to summarize the problem of untimely deat

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